{"id":5144,"date":"2026-10-24T21:49:06","date_gmt":"2026-10-24T21:49:06","guid":{"rendered":"https:\/\/cofestival.si\/2026\/?p=5144"},"modified":"2026-10-30T20:31:42","modified_gmt":"2026-10-30T20:31:42","slug":"hristijan-nashulovski-na-meji","status":"publish","type":"post","link":"https:\/\/cofestival.si\/2026\/en\/hristijan-nashulovski-na-meji\/","title":{"rendered":"Hristian Nashulovski: ON THE LINE"},"content":{"rendered":"<b>Saturday, 28 November \u2013 Friday, 4 December 2026, from 12.00 pm to 6.00 pm<br \/>\n<\/b><b>Opening: Friday, 27 November at 9.00 pm<br \/>\n<\/b><span style=\"font-weight: 400;\">Kino \u0160i\u0161ka, Kamera<br \/>\n<\/span><i><span style=\"font-weight: 400;\">an exhibition yet to become<\/span><\/i><b>\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Free admission<\/span><\/p>\n<p><b>Performances by Hristijan Nashulovski:<\/b><\/p>\n<p><b>Contrasexuality: Passport is the New Dildo<br \/>\n<\/b><b>Saturday, 28 November 2026, at 9.30 pm<br \/>\n<\/b><span style=\"font-weight: 400;\">Kino \u0160i\u0161ka, Kamera<\/span><\/p>\n<p><b>LOVE in sLOVEnia<br \/>\n<\/b><b>Monday, 30 November 2026, at 5.30 pm<br \/>\n<\/b><span style=\"font-weight: 400;\">Kino \u0160i\u0161ka, Kamera<\/span><\/p>\n<p><b>\u0160engen in Schengen and Nons<br \/>\n<\/b><b>Tuesday, 1 December 2026, at 8.30 pm<br \/>\n<\/b><span style=\"font-weight: 400;\">Kino \u0160i\u0161ka, Kamera<\/span><\/p>\n<p><b>Consent: Yes But No<br \/>\n<\/b><b>Friday, 4 December 2026, at 9.00 pm<br \/>\n<\/b>Kino \u0160i\u0161ka, Kamera<\/p>\n<p><span style=\"font-weight: 400;\">With his <\/span><i><span style=\"font-weight: 400;\">exhibition yet to become<\/span><\/i><span style=\"font-weight: 400;\">, titled On the Line, Hristian Nashulovski explores the notion of the border as a site where identities collide and as a passage between spaces of possible differences, as well as the permeability of borders. During CoFestival, the format of the exhibition will itself be subjected to forms of visible uncertainty, turning from exhibited objects into a series of events marked more by temporal than spatial qualities.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c<\/span><i><span style=\"font-weight: 400;\">An exhibition yet to become<\/span><\/i><span style=\"font-weight: 400;\"> is an experiment that uses a transforming installation and performances to raise questions about the border. <\/span><i><span style=\"font-weight: 400;\">ON THE LINE<\/span><\/i><span style=\"font-weight: 400;\"> is based on the documentation of a performative act that took place at the illegal border between the First and the Third World. The border is constructed as a line of rupture within our experience and humanity. It divides us into those from here and those from there. Through the performances, the exhibition shifts from the inescapable experience of the subject to an opening of perspectives on power, consent, position and desire, and to a decoding of the border as a phenomenon. The border will become a confrontation with human autonomy, with reason and politics, as it addresses anyone who experiences the Western world as an open path to a better life. <\/span><i><span style=\"font-weight: 400;\">ON THE LINE<\/span><\/i><span style=\"font-weight: 400;\"> speaks about every upcoming border that is increasingly difficult to face, and about anyone who feels like the least desirable being while, in a desperate movement, struggling to prove their integration into the First World.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For every expression of territoriality, the border is a form of defence and protection, of halting and finality. The border separates one ground from another: forms of hereness from forms of thereness, the inside from the outside. It separates us from others. It also separates us from alteration and change. In this latter sense, borders have a temporal aspect: they shield the present and the past from possible futures. For territorialists, what matters is where they are, not who they are. People without time want merely to occupy space. If we look at economic, political and social migrations, they are usually connected with movements from territories where time stands still to territories where time flows, from where there are no possibilities to where there are. From where we are forever what we have always been, to where we may yet become something else. From identities to differences.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Artist: <\/span><b>Hristijan Nashulovski<br \/>\n<\/b>Lighting Design and Programming: <b>Vita Tu\u0161ek<br \/>\n<\/b><span style=\"font-weight: 400;\">Photography: <\/span><b>Nikola \u010cubrilo<br \/>\n<\/b><span style=\"font-weight: 400;\">On location with: <\/span><b>Marina Markovi\u010d, Nikola \u010cubrilo<br \/>\n<\/b><span style=\"font-weight: 400;\">Translated by : <\/span><b>Ale\u0161 Bel\u0161ak<br \/>\n<\/b><span style=\"font-weight: 400;\">Thanks: <\/span><b>Jana Stardelova, Toma\u017e Ku\u010der\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Organised by <\/span><span style=\"font-weight: 400;\">NDA Slovenija and Kino \u0160i\u0161ka<\/span>","protected":false},"excerpt":{"rendered":"<p>Saturday, 28 November \u2013 Friday, 4 December 2026, from 12.00 pm to 6.00 pm Opening: Friday, 27 November at 9.00 pm Kino \u0160i\u0161ka, Kamera an exhibition yet to become\u00a0 Free admission Performances by Hristijan Nashulovski: Contrasexuality: Passport is the New Dildo Saturday, 28 November 2026, at 9.30 pm Kino \u0160i\u0161ka, Kamera LOVE in sLOVEnia Monday, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5145,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cofestival"],"_links":{"self":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts\/5144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/comments?post=5144"}],"version-history":[{"count":2,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts\/5144\/revisions"}],"predecessor-version":[{"id":5252,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts\/5144\/revisions\/5252"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/media\/5145"}],"wp:attachment":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/media?parent=5144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/categories?post=5144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/tags?post=5144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}