{"id":5136,"date":"2026-10-24T21:38:42","date_gmt":"2026-10-24T21:38:42","guid":{"rendered":"https:\/\/cofestival.si\/2026\/?p=5136"},"modified":"2026-10-25T21:26:16","modified_gmt":"2026-10-25T21:26:16","slug":"lisa-colette-bysheim-katrine-patry-modri-vrtiljak","status":"publish","type":"post","link":"https:\/\/cofestival.si\/2026\/en\/lisa-colette-bysheim-katrine-patry-modri-vrtiljak\/","title":{"rendered":"Lisa Colette Bysheim &#038; Katrine Patry: Blue Carousel (2024)"},"content":{"rendered":"<b>Friday, 27 November 2026, at 8:00 pm<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">Kino \u0160i\u0161ka, Katedrala<br \/>\n<\/span><i><span style=\"font-weight: 400;\">dance performance, festival opening<br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Duration: 47 min.<\/span><\/p>\n<p><a href=\"https:\/\/www.eventim.si\/event\/l-c-bysheim-k-patry-modri-vrtiljak-kino-siska-22303943\/\"><i><span style=\"font-weight: 400;\">Tickets: 10\/12 EUR<\/span><\/i><\/a><\/p>\n<p><span style=\"font-weight: 400;\">A club setting, techno music. When the objectification and stereotyping of female bodies is pushed beyond the boundaries of realism, unexpected, humorous and absurd moments break open, revealing the choreography of ideology.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In human life, a range of natural processes have social equivalents in which a society may consider itself to have failed in its own peculiar way: when rituals remain functional and naturalised, that is, when the ritual scenario fails. Besides the various natural tactics of mimicry, which are interesting to consider in relation to bodies within the social sphere, mating is certainly one of the most potent processes on the border between the natural and the human. In recent years, the forms of its cultural coding have become an important arena of political clash, one in which the battle for the equal standing of human voices and bodies is being fought. Not only are gender classifications in conservative political thought often reduced to natural functionality through questions of what is natural and what is not, but nature in these views largely becomes a disguised stand-in for morality.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\">Blue Carousel<\/span><\/i><span style=\"font-weight: 400;\">, Lisa Colette Bysheim and Katrine Patry, together with the techno set <\/span><i><span style=\"font-weight: 400;\">asiangirlsonly<\/span><\/i><span style=\"font-weight: 400;\">, explore choreographically the natural processes of mating, seduction and conquest within the social field. The drama of meaning unfolding in <\/span><i><span style=\"font-weight: 400;\">Blue Carousel<\/span><\/i><span style=\"font-weight: 400;\"> becomes clearer when we link it to the traditional and somewhat forgotten literary genre of the fable, in which the collision of the animal and human worlds serves to humanise the animal and animalise the human. In this way, pressing social contradictions become more visible to us. In the choreography, through supple, beat-driven repetition in a club ambience, the absurdities of bodily objectification, self-objectification and the theatralisation of the female body are gradually taken apart. The two artists examined closely the lives of birds and their mating processes, which are marked by various natural tactics, including visual ones: an animal, after all, must draw attention in order to be noticed. Things get interesting when these processes are transferred into the social sphere. If ornithology, together with mating rituals, has played a relatively important role in European dance history, in <\/span><i><span style=\"font-weight: 400;\">Blue Carousel<\/span><\/i><span style=\"font-weight: 400;\"> this commonplace is sharpened humorously and moved beyond fairy tales and fairies by the lakes. Reality, after all, is less romantic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Concept &amp; choreography: <\/span><b>Lisa Colette Bysheim &amp; Katrine Patry<br \/>\n<\/b><span style=\"font-weight: 400;\">Dancers: <\/span><b>Katrine Patry &amp; Lisa Colette Bysheim<br \/>\n<\/b>Sound Design &amp; live DJ: <b>asiangirlsonly (Thea &amp; Miriam Michelsen)<br \/>\n<\/b>Lighting Design: <b>Eirik Lie Hegre<br \/>\n<\/b><span style=\"font-weight: 400;\">Costume Design: <\/span><b>Golnaz Adham<br \/>\n<\/b><span style=\"font-weight: 400;\">Set Design: <\/span><b>Sophia Gatzkan<br \/>\n<\/b><span style=\"font-weight: 400;\">Dramaturgy: <\/span><b>Janne-Camilla Lyster<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Production: <\/span><b>i.c.a.p (Lisa Reynolds &amp; Elisabeth Gmeiner)<br \/>\n<\/b><span style=\"font-weight: 400;\">Co-producers: <\/span><b>Dansens Hus Oslo, BIT Teatergarasjen, &amp; Carte Blanche.<br \/>\n<\/b>Funded by:<b>\u00a0 Arts Council Norway, The Audio and Visual Fund, Fund for performing Artists, &amp; Bergen City Council.<br \/>\n<\/b><span style=\"font-weight: 400;\">The tour is funded by: <\/span><b>The Audio and Visual Fund, Performing Arts Hub Norway<\/b><\/p>\n<p><b><br \/>\nAFTERPARTY<\/b><b><br \/>\n<\/b><b>DJ FUGENTORPEDO (Warrego Valles)<br \/>\n<\/b><b>Friday, 27 November 2026, from 9:30 pm<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">Kino \u0160i\u0161ka, lower foyer<br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\nFree admission<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Organised by Kino \u0160i\u0161ka and NDA Slovenija<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Friday, 27 November 2026, at 8:00 pm Kino \u0160i\u0161ka, Katedrala dance performance, festival opening Duration: 47 min. Tickets: 10\/12 EUR A club setting, techno music. When the objectification and stereotyping of female bodies is pushed beyond the boundaries of realism, unexpected, humorous and absurd moments break open, revealing the choreography of ideology. In human life, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5137,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cofestival"],"_links":{"self":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts\/5136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/comments?post=5136"}],"version-history":[{"count":2,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts\/5136\/revisions"}],"predecessor-version":[{"id":5221,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/posts\/5136\/revisions\/5221"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/media\/5137"}],"wp:attachment":[{"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/media?parent=5136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/categories?post=5136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cofestival.si\/2026\/en\/wp-json\/wp\/v2\/tags?post=5136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}