{"id":4530,"date":"2024-10-25T21:38:23","date_gmt":"2024-10-25T21:38:23","guid":{"rendered":"https:\/\/cofestival.si\/2024\/?p=4530"},"modified":"2024-11-12T11:21:49","modified_gmt":"2024-11-12T11:21:49","slug":"michael-turinsky-tvegani-premiki-2021","status":"publish","type":"post","link":"https:\/\/cofestival.si\/2024\/en\/michael-turinsky-tvegani-premiki-2021\/","title":{"rendered":"Michael Turinsky: Precarious Moves (2021)"},"content":{"rendered":"Saturday, 23 November at 8:00 p.m.
\nsolo dance performance
\nThe Old Power Station
\nDuration: 75 min.<\/p>\n

In Precarious Moves, choreographer and dancer Michael Turinsky exposes the critical modality of actions through \u00bbthe tension between movement and environment, between gesture and milieu,\u00ab and in this way uses his own case study to articulate \u00bburgent collective needs and necessities with regard to mobility and mobilisation.\u00ab He has participated at CoFestival twice already. The first time, with the solo Second Skin: Turn the Beat Around (2016), and in 2019, together with Doris Uhlich, he performed in the duet Ravemachine (2014). This year, he is bringing his solo Precarious Moves (2021) to CoFestival, the work which earned him the Nestroy Theatre Prize in 2021 for best non-institutional production in Austria.<\/p>\n

Turinsky uses the circumstance of physical disability as a material and conceptual departure point to explore the boundaries that emerge between the body and the environment in cases of bodily mobility, and \u00bbcontinues his investigation of resistant choreographic positionings through designing political aesthetics.\u00ab The boundaries of different spaces and places only become entirely apparent when they are used and inhabited by different bodies with their own specific needs and characteristics. These questions perhaps seem contradictory in that they neutralise the normativity of such boundaries and potential political character with non-accountability.<\/p>\n

In the past years, treatment of one\u2019s own body, albeit always nurtured by the art of performance, has taken root in all popular literary genres of the so-called autofiction and theoretic self-treatment, which gives new methodological potentialities to the essay of the US feminist Carol Hanisch from 1969, dubbed The Personal Is Political. And the solo Precarious Moves in its sprawling position between \u00bbthe organic and the organised (\u2026) unveils the ironic and socially engaged nature of that strange loop that connects the body with the sensual world through which it moves,\u00ab in a searching movement in which \u00bbthe untamed gesture discovers its choreographic milieu, and at the same time opens our sensitivity beyond the same.\u00ab<\/p>\n

Performance, choreography, text, lyrics: Michael Turinsky
\nMusic, lyrics: Tian Rotteveel
\nSet and costume design: Jenny Schleif
\nLighting design: Sveta Schwin
\nPhoto, video: Michael Loizenbauer
\nDramaturgical advice: Gabrielle Cram
\nProduction management: Anna Gr\u00e4sel \/ groundworkers.at
\nProduction: Michael Turinsky and Verein f\u00fcr philosophische Praxis
\nCo-production: Tanzquartier Wien, HAU Hebbel am Ufer<\/p>\n

* Stroboscope is used in the performance.
\n*This performance is in English.
\nOrganised by: Kino \u0160i\u0161ka and NDA Slovenia in collaboration with Bunker<\/p>\n

Entry: 8\/10 EUR<\/a><\/p>\n

Supported by:<\/p>\n

\"\"<\/p>\n

Michael Turinsky is supported by \u00bbDANCE ON TOUR AUSTRIA\u00ab \u2013 Tanzquartier Vienna project in collaboration with the Federal Ministry for European and International Affairs.<\/em><\/p>\n

 ","protected":false},"excerpt":{"rendered":"

Saturday, 23 November at 8:00 p.m. solo dance performance The Old Power Station Duration: 75 min. In Precarious Moves, choreographer and dancer Michael Turinsky exposes the critical modality of actions through \u00bbthe tension between movement and environment, between gesture and milieu,\u00ab and in this way uses his own case study to articulate \u00bburgent collective needs […]<\/p>\n","protected":false},"author":1,"featured_media":4531,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-4530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cofestival"],"_links":{"self":[{"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/posts\/4530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/comments?post=4530"}],"version-history":[{"count":9,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/posts\/4530\/revisions"}],"predecessor-version":[{"id":4750,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/posts\/4530\/revisions\/4750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/media\/4531"}],"wp:attachment":[{"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/media?parent=4530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/categories?post=4530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cofestival.si\/2024\/en\/wp-json\/wp\/v2\/tags?post=4530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}