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<\/p>\nThis is not the first time we present this Croatian choreographer, who lives and works in Brussels and Zagreb. In The Emerging Performance, she has put together a collective, an union, a dance question, representing different aspects of dance work. Open dance work as a dream factory produced on hard ground.
\nBecause CoFestival curators also occasionally work in education, we defined contemporary choreography a few years ago for the purposes of a pedagogical tool \u2013 with all the caveats that come with that. It is more for orientation, as a tool for clarification, not for any kind of territorialisation of the field. It goes like this: choreography (as an expanded practice) can be an (artistic) function, methodology or practice that deals with the conditions, creation or production of composing, constructing, performing (performance) or perceiving various presences, absences or representations of human bodies and the traces or indications contained in these bodies. Conditions, functions, practices and constructions are the elements of definition that are embodied and addressed by The Emerging Performance, which features women artists, organisers, producers, curators, activists or, as Aleksandra Janeva Imfeld calls them, initiators of contemporary dance work in Croatia. The Emerging Performance is also a piece about contemporary dance in a regional and Croatian dance context. Stage works are not the only examples of dance works produced in our contemporary dance contexts, they are only part of the whole structure of the dance system, which has to function in all its segments in order to be able to produce art. The women\u2019s collective of The Emerging Performance is dismantled in action (praxis), a referential network of elements that condition what constitutes the notion of contemporary dance today. An art production facility. There is something constructivist about the fusion of production, life and art in The Emerging Performance, and it seems that contemporary dance in Croatia is more concerned with these issues than anywhere else.<\/p>\n
Choreography and performance: Koraljka Begovi\u0107, Aleksandra Janeva Imfeld, Mia Kevo, Larisa Lipovac Navojec, Nives Soldi\u010di\u0107, Melita Spahi\u0107 Bezjak, Irma Unu\u0161i\u0107
\nDramaturgy: Jasmina Zalo\u017enik
\nMusic: Marin \u017divkovi\u0107 i Hrvoje Jelin\u010di\u0107
\nLighting design: Sa\u0161a Fistri\u0107
\nCostume design: NDA CRO pod vplivom \/ Under the influence of Irma Unu\u0161i\u0107
\nExternal collaboration: Tamara Curi\u0107
\nSet and graphic design: Hrvoje Jelin\u010di\u0107
\nPhotos: Fanni Tutek \u2013 Hajnal
\nProduction: Nomad Dance Academy Croatia
\nArtistic direction: Aleksandra Janeva Imfeld<\/p>\n
Some scenes in the performance are performed in Croatian. There will be handouts available in English and Slovene language before the performance.<\/p>\n
Duration: 50 min
\nFree entry<\/p>\n
Supported by:<\/p>\n
<\/p>\n
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