{"id":3937,"date":"2022-11-02T12:53:38","date_gmt":"2022-11-02T12:53:38","guid":{"rendered":"https:\/\/cofestival.si\/2022\/?p=3937"},"modified":"2022-11-14T19:39:28","modified_gmt":"2022-11-14T19:39:28","slug":"glas-ki-ga-besedilo-ne-more-slisati-adam-kinner","status":"publish","type":"post","link":"https:\/\/cofestival.si\/2022\/en\/glas-ki-ga-besedilo-ne-more-slisati-adam-kinner\/","title":{"rendered":"The voice that the text can\u2019t hear – Adam Kinner"},"content":{"rendered":"NDA Slovenia in the frame of CoFestival announces an open call for participation in a 5-day free workshop\/lab The voice that the text can\u2019t hear with Adam Kinner (CAN\/USA).<\/p>\n

The voice that the text can\u2019t hear is a guided research practice, open to performers interested in deepening their engagement with voice, text, movement, and the co-mingling of these in a performance situation. Together we will explore ways of giving voice to texts \u2013 both found and created \u2013 that deepen and extend their meaning. We will discuss techniques for using the body as a kind of counter-text \u2013 something with its own communicative and intuitive capacities that run oblique to the text\u2019s. We may also do group activities to open the voice: warming up and strengthening the voice, singing together, and experimenting with bringing space between ourselves and our voices.<\/p>\n

I have long been interested in how the voice brings us out of ourselves, gently undoing us. When someone says something remarkably or terribly true, it is often the sound of the voice that I remember most. In 2013 I created I\u2019m Faking It which used the voice as a way of interrogating the performance contract as a limit of authenticity on the stage. The voice that the text can\u2019t hear brings this research into the realm of pure experimentation, between the body and the voice, the text and the breath. We follow the thread of the voice\u2019s sonic materiality and listen to where the voice itself points. The goal is to find new meanings just beyond the reach of language. And to find new movements and performance situations that support such meanings as a practice.<\/p>\n

Locations:<\/strong>
\nJSKD Studio Cepetka
\nPlesni studio Moj korak, Ljubljana, Slovenia<\/p>\n

Dates: <\/strong>Monday, November 21 \u2013 Friday, November 25
\nNovember 21 \u2013 15h to 18h (Cepetka)
\nNovember 22 \u2013 15h to 17h30 (Cepetka)
\nNovember 23 \u2013 15h to 18h (Cepetka)
\nNovember 24 \u2013 13h to 16h (Moj korak)
\nNovember 25 \u2013 16h to 19h (Cepetka)<\/p>\n

The workshop\/lab is open to professional dancers, choreographers, actors, musicians, and performers, but doesn\u2019t exclude those without stage experience<\/p>\n

Participation in the workshop\/lab is free of charge<\/p>\n

If you have access to any instruments or \u2018noise-makers\u2019, please bring them with you! (we will provide some of those materials as well)<\/p>\n

Participation in all 5 days is recommended, but not necessary<\/p>\n

If you are interested in taking part, please let us know at janajevtovic@gmail.com<\/a><\/p>\n

Adam Kinner (Washington, D.C., 1984) is an artist living and working in Montreal. Having trained in music, he now makes work on the thresholds of performance, sound and visual arts, collaborating with artists from dance and music. The breadth of his work is wide, spanning from the on-going project The Air Contains Honey (initiated together with Jacob Wren), an ‘orchestra’ which brings together a number of professional and amateur musicians who work to discover their sound as they go, to the recent choreography Suite canadienne, une demonstration, an exhibition and a performance of a restaging of Ludmilla Chiriaeff 1957 ballet, which opens a negotiation between the past and the present contexts. Recent projects include an exhibition at\u00a0Artexte\u00a0that wove together national and personal performance histories, sound works, and readings; a performance with 8 saxophonists for the Mus\u00e9e d\u2019art contemporain des Laurentides; and the research-performance project MANUAL (with Christopher Willes), a one-on-one performance that delves into the sensory and social life of sounds and printed images, staged covertly in a library za festival OFFTA v Montrealu.\u00a0He holds undergraduate degrees from McGill University and Concordia University, as well as an MFA from the School of the Art Institute of Chicago.
\nProduction and organisation:<\/strong> NDA Slovenia
\nCoordination and executive production:<\/strong> Jana Jevtovi\u0107
\nNDA Slovenia is supported by the Municipality of Ljubljana.<\/p>\n

This project is supported by the 2022 GPS\/Global Practice Sharing program of Movement Research with funding from the Trust for Mutual Understanding.<\/p>\n

In partnership with Javni sklad za kulturne dejavnosti (JSKD).<\/p>\n

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NDA Slovenia in the frame of CoFestival announces an open call for participation in a 5-day free workshop\/lab The voice that the text can\u2019t hear with Adam Kinner (CAN\/USA). The voice that the text can\u2019t hear is a guided research practice, open to performers interested in deepening their engagement with voice, text, movement, and the […]<\/p>\n","protected":false},"author":1,"featured_media":3938,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-3937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cofestival"],"_links":{"self":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/posts\/3937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/comments?post=3937"}],"version-history":[{"count":4,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/posts\/3937\/revisions"}],"predecessor-version":[{"id":3942,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/posts\/3937\/revisions\/3942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/media\/3938"}],"wp:attachment":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/media?parent=3937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/categories?post=3937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/tags?post=3937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}