{"id":647,"date":"2021-06-21T08:57:09","date_gmt":"2021-06-21T08:57:09","guid":{"rendered":"https:\/\/products.wp-ts.com\/merito\/wp-dev\/?page_id=647"},"modified":"2023-10-18T16:43:07","modified_gmt":"2023-10-18T16:43:07","slug":"home-2","status":"publish","type":"page","link":"https:\/\/cofestival.si\/2022\/en\/","title":{"rendered":"Home 2"},"content":{"rendered":"\t\t
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\n\t\t\t\n\t\t\t\tJoin us at CoFestival 2023!\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The program of CoFestival, the international festival of contemporary dance, focuses on two curatorial themes in 2023. The first features a selection of artists who<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tSave the dates: 23 rd – 30 th November 2023, CoFestival in Ljubljana\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The new edition of CoFestival, the international festival of contemporary dance, will take place from the 23rd till the 30th of November. There are still<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tThe voice that the text can\u2019t hear – Adam Kinner\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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NDA Slovenia in the frame of CoFestival announces an open call for participation in a 5-day free workshop\/lab The voice that the text can\u2019t hear<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tFeminist Ways of Dance\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The inspiration for the series of diverse events entitled Feminist Dance Pathways was taken from a statement by Franco Berardi Bifo, who said that social<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tRok Vevar: Along the Urban Pathways of the History of Slovenian Contemporary Dance and Theatre (2022)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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In recent years, Slovenia has also witnessed a tremendous growth in tours of the capital through the prisms of different communities or cultural-historical highlights, in<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tSlovenian Theatre Publishers at CoFestival\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The Slovenian Theatre Publisher Network, which includes Emanat Institute, the MGL Library, Maska Ljubljana and The Slovenian Theatre Institute \u2013 SLOGI, was established with the<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tGrand re Union: Connect (2022)\u00a0\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Between 2020 and 2021, the Grand re Union project was created, which, at the time of the pandemic, allowed the international dance community to inform<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tMoritz Ostruschnjak: Tanzanweisungen (It Won\u2019t Be Like This Forever) (2020)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The palimpsest solo, danced by Daniel Conant in two \u00bbnonchalant swings\u00ab, is a sprint through the encyclopaedia of dance vitalism. An ironic work about \u00bbthe<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tVAZZ DJ set , DJ Puno Ko\u0161ta\u00a0\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Friday, 25th of November 2022 at 9:00 p.m. Kino \u0160i\u0161ka, Lower Foyer   Free entry!<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tFeminist Ways of Dance (2022) – Participatory event\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Feminist Dance Pathways invest in a playful and open way in a constructive relationship with one\u2019s own past, opening up a sensibility for one\u2019s own<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\u0160kart (\u0110or\u0111e Balmazovi\u0107): Open Sketchbook (2022)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The Open Sketchbook exhibition consists of drawings made during the observation process of the Silver Gold project development, executed by an intergenerational dance and choreographic<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAdam Kinner: Some Ways of Speaking (2022)\u00a0\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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American-Canadian choreographer and musician Adam Kinner will share with the audience aspects of his work that link performance practice and choreography, enriching them with studies<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tBarbara Matijevi\u0107 and Giuseppe Chico: Screenagers vol. II (2022)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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In the DIY musical Screenagers II, the two artists, who captivated the audience at the 2017 CoFestival with their duet for dancer and screen Forecasting,<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tYuske Taninaka: Gallop (2022)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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With his solo Gallop, the young Japanese artist Yuske Taninaka enters the international arena as a meticulous researcher, an insightful analyst and a lucid creator.<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tMichiel Vandevelde\/Philippe Thuriot\/Platform-K: The Goldberg Variations (2020)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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For dancer and choreographer Michiel Vandevelde, whom we welcomed to CoFestival in 2019 with The Ends of the Worlds, the core material is dance time,<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAleksandar Georgiev: Screensaver (2020)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The choreography creates a dance rhetorical zone in which choreographic forms or procedural forms from recent dance history are brought together in the meditative image<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tV\u011bra Ondra\u0161\u00edkov\u00e1 & Collective: Witness (2021)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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It would be hard to imagine a more iconic site in twentieth-century theatre than the barren tree of Beckett\u2019s Godot. A witness to time, its<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tMagdalena Reiter & Mateja Rebolj: Preludes and Fugues (2022)\u00a0\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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In 2003, Magdalena Reiter and Mateja Rebolj created the excellent intergenerational dance confrontation Forma Interrogativa. Twenty years later, their second collaboration in Preludes and Fugues<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tMala Kline: Venus: Between Captivity and Flight (2022)\u00a0\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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The multimedia performance Venus: Between Captivity and Flight acts as a synthesis of the artist\u2019s dance work of the last few years. Botticelli\u2019s painting The<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAlma S\u00f6derberg with Cullberg: Noche (2022)\u00a0\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Since her artistic beginnings, Alma S\u00f6derberg has been hosted by the NagiB, Mladi levi and Plesna Vesna festivals, and is one of the most prominent<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tBeno Novak, Elvis Homan and Bo\u0161tjan Simon: Resurrection 2.0 (2021)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Beno Novak, a representative of the younger generation of dance artists, stands out for his exceptional physicality and specific corporeality, which address both the audience\u2019s<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\t...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\n\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/metiro-elementor.php","meta":{"footnotes":""},"class_list":["post-647","page","type-page","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/pages\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/comments?post=647"}],"version-history":[{"count":274,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/pages\/647\/revisions"}],"predecessor-version":[{"id":4096,"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/pages\/647\/revisions\/4096"}],"wp:attachment":[{"href":"https:\/\/cofestival.si\/2022\/en\/wp-json\/wp\/v2\/media?parent=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}