{"id":4380,"date":"2019-10-29T11:55:20","date_gmt":"2019-10-29T11:55:20","guid":{"rendered":"http:\/\/cofestival.si\/2019\/?p=4380"},"modified":"2019-12-02T11:17:44","modified_gmt":"2019-12-02T11:17:44","slug":"martin-sonderkamp-in-darko-dragicevic-nosilec-zvoka-2019","status":"publish","type":"post","link":"http:\/\/cofestival.si\/2019\/en\/martin-sonderkamp-in-darko-dragicevic-nosilec-zvoka-2019\/","title":{"rendered":"Martin Sonderkamp and Darko Dragi\u010devi\u0107: Tontr\u00e4ger (2019)"},"content":{"rendered":"<p style=\"text-align: center;\"><i><span lang=\"SL\"><strong>performance<\/strong> <\/span><\/i><\/p>\n<p><em>torek, 26. 11 2019<\/em><\/p>\n<p><em><strong>Mladinsko Theater &#8211; The New Post Office at 7 pm<\/strong><\/em><\/p>\n<p><a href=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-nosilec.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-4381\" src=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-nosilec.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-nosilec.jpg 500w, http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-nosilec-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><strong>Martin Sonderkamp and Darko Dragi\u010devi\u0107 are known among the Ljubljana dance audiences due to their pedagogic or choreographic work. In their new duet\u00a0<em>Tontr\u00e4ger\u00a0<\/em>(2019),\u00a0the choreographic procedures or fragile movement, light and sound images are the carriers of magnifications that are supposed to make visible the translations of sound, word or light into movement and with it also reveal the unusual relations between the materiality of bodies, spaces and objects.<\/strong><\/p>\n<p><strong>Choreography and performance:<\/strong> Darko Dragi\u010devi\u0107, Martin Sonderkamp<br \/>\n<strong>Voices:<\/strong> Shannon Cooney, Mika Hayashi Ebbese<br \/>\n<strong>Artistic collaboration:<\/strong> Zeina Hanna<br \/>\n<strong>Lighting design:<\/strong> Catalina Fernandez<br \/>\n<strong>Sound design:<\/strong> Vera Pulido<br \/>\n<strong>Technical assistance:<\/strong> Jochen Haker, Andrea Parolino<br \/>\n<strong>Production:<\/strong> Darko Dragi\u010devi\u0107 and Martin Sonderkamp<br \/>\n<strong>Co-production:<\/strong> Tanzfabrik Berlin<br \/>\n<strong>With the support of:<\/strong> SKH Stockholm University of the Arts<\/p>\n<p><strong>Sonderkamp<\/strong> and <strong>Dragi\u010devi\u0107<\/strong> are turning around the logic of the process of man\u2019s self-narration, which is employed by the human to place himself into real places which he needs as a carrier of time, to turn them into spaces and prevent the collisions in them with his time. They turn the consistency of the self-narration, composed of language, into an exhibition: of movements, sound and corporeality. In this way, the dismantlement of subject in <em>Tontr\u00e4ger\u00a0<\/em>turns into a choreographic process, into a configuration of bodies, space and objects. \u201cThe body that does not understand itself as a subject enables the visibility of hidden spaces,\u201d they write. We already hosted the Sonderkamp and Dragi\u010devi\u0107 tandem at CoFestival in 2016 with their performance <em>Approximations #5<\/em><em>.\u00a0<\/em>In their shows, they research the elementary choreographic fragments that were the focal interest of the American postmodern choreography of the 1960s and 1970s but they process them with fresh procedures derived from the myriad of contemporary technological possibilities.<\/p>\n<p><b>A performance based on conversations with Zeina Hanna, Claudia Heu, Susanne Karow, Zorica Milisavljevi\u0107, Mengfan Wang.<\/b><\/p>\n<p><strong>Entry:<\/strong> 7\/9 EUR<\/p>\n<p><strong>Duration:<\/strong> 50 min<\/p>\n<p><em>Organisation: Kino \u0160i\u0161ka and NDA Slovenija, in collaboration with Mladinsko Theatre.<\/em><\/p>\n<p><em>The project is part of the Performance Situation Room program line under the Life Long Burning project and by the Creative Europe Programme of the European Union.<\/em><\/p>\n<p><a href=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/eu_flag_creative_europe_co_funded_pos_rgb_right.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-4597\" src=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/eu_flag_creative_europe_co_funded_pos_rgb_right.jpg\" sizes=\"(max-width: 231px) 100vw, 231px\" srcset=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/eu_flag_creative_europe_co_funded_pos_rgb_right.jpg 706w, http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/eu_flag_creative_europe_co_funded_pos_rgb_right-300x75.jpg 300w\" alt=\"\" width=\"231\" height=\"58\" \/><\/a>\u00a0 <a href=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/LLB_Logo_BW_CMYK.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-4598\" src=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/LLB_Logo_BW_CMYK-1024x406.jpg\" sizes=\"(max-width: 180px) 100vw, 180px\" srcset=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/LLB_Logo_BW_CMYK-1024x406.jpg 1024w, http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/LLB_Logo_BW_CMYK-300x119.jpg 300w, http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/LLB_Logo_BW_CMYK-768x305.jpg 768w, http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/LLB_Logo_BW_CMYK.jpg 1500w\" alt=\"\" width=\"180\" height=\"71\" \/><\/a>","protected":false},"excerpt":{"rendered":"<p>performance torek, 26. 11 2019 Mladinsko Theater &#8211; The New Post Office at 7 pm Martin Sonderkamp and Darko Dragi\u010devi\u0107 are known among the Ljubljana dance audiences due to their pedagogic or choreographic work. In their new duet\u00a0Tontr\u00e4ger\u00a0(2019),\u00a0the choreographic procedures or fragile movement, light and sound images are the carriers of magnifications that are supposed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4380","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/posts\/4380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/comments?post=4380"}],"version-history":[{"count":0,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/posts\/4380\/revisions"}],"wp:attachment":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/media?parent=4380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/categories?post=4380"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/tags?post=4380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}