{"id":4366,"date":"2019-10-29T11:30:18","date_gmt":"2019-10-29T11:30:18","guid":{"rendered":"http:\/\/cofestival.si\/2019\/?p=4366"},"modified":"2019-11-04T18:34:53","modified_gmt":"2019-11-04T18:34:53","slug":"michiel-vandevelde-konci-svetov-2019","status":"publish","type":"post","link":"http:\/\/cofestival.si\/2019\/en\/michiel-vandevelde-konci-svetov-2019\/","title":{"rendered":"Michiel Vandevelde: Ends of Worlds (2019)"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><i><span lang=\"SL\">dance performance<\/span><\/i><\/strong><\/p>\n<p><em>Saturday 23. 11. 2019<\/em><\/p>\n<p><strong><em>Kino \u0160i\u0161ka, Katedrala Hall at 8pm<\/em><\/strong><\/p>\n<p><a href=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-konci.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-4367\" src=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-konci.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-konci.jpg 500w, http:\/\/cofestival.si\/2019\/wp-content\/uploads\/sites\/13\/2019\/10\/web-konci-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><strong>Choreographer Michiel Vandevelde is a rising star of Flemish contemporary dance. With performance <em>Ends of Worlds\u00a0<\/em>he is turning to the past century of contemporary dance (Isadora Duncan, Kurt Jooss, Ana Halprin, Steve Paxton, etc.) to discover political and ideological fragments in the archaeological dance remains, in order to understand what we can actually see in contemporary dance beyond its proverbial ephemerality. Dance work usually embodies more layers of time as it is visible when it is created. Vandevelde is interested precisely in this. Right now, he is one of the most promising names of European contemporary dance.<\/strong><\/p>\n<p><strong>Choreography:<\/strong> Michiel Vandevelde<br \/>\n<strong>Dance:<\/strong> Jara Vlaeminckx, Bryana Fritz, Amanda Barrio Charmelo, Mario Barrantes Espinoza<br \/>\n<strong>Costume:<\/strong> Lila John<br \/>\n<strong>Dramaturgy:<\/strong> Esther Severi<br \/>\n<strong>Feedback:<\/strong> Kristof van Baarle<br \/>\n<strong>Light:<\/strong> Michiel Vandevelde, Tom Bruwier<br \/>\n<strong>Technique:<\/strong> Tom Bruwier<br \/>\n<strong>Production:<\/strong> Disagree. Vzw<br \/>\n<strong>Co-production:<\/strong> Kaaitheater, PACT, Zollverein, Buda, Pianofabriek<br \/>\n<strong>Distribution:<\/strong> Something Great<br \/>\n<strong>Residences:<\/strong> Stuk, Kaaitheater, PACT Zollverein, Buda, Kunstenwerkplaats Pianofabriek<br \/>\n<strong>With the support:\u00a0<\/strong>De Vlaamse Overheid and de Vlaamse Gemeenschapscommissie<\/p>\n<p>Residence choreographer of Kaaitheatre in Brussels, curator, publicist and editor Michiel Vandevelde graduated at P.A.R.T.S. with <em>Ends of Worlds<\/em>, a futurologic dance reconstruction: reading of the dance past from a remote and hypothetical future. We are in the year 0.2300, stage is reconstructed, replicas of homo sapiens dance in this show that is actually a living history performance. In six speculative historical parts that are visited by the time-machine of the <em>Ends of Worlds<\/em>, dance history is a form of its methodological slip, a failure. A kind of historical fiction.<\/p>\n<p><strong>Entrance fee:<\/strong> 7\/9 EUR<\/p>\n<p><strong>Duration:<\/strong> 70 min<\/p>\n<p><em>Organisation: Kino \u0160i\u0161ka and NDA Slovenia<\/em>","protected":false},"excerpt":{"rendered":"<p>dance performance Saturday 23. 11. 2019 Kino \u0160i\u0161ka, Katedrala Hall at 8pm Choreographer Michiel Vandevelde is a rising star of Flemish contemporary dance. With performance Ends of Worlds\u00a0he is turning to the past century of contemporary dance (Isadora Duncan, Kurt Jooss, Ana Halprin, Steve Paxton, etc.) to discover political and ideological fragments in the archaeological [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4366","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/posts\/4366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/comments?post=4366"}],"version-history":[{"count":0,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/posts\/4366\/revisions"}],"wp:attachment":[{"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/media?parent=4366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/categories?post=4366"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cofestival.si\/2019\/en\/wp-json\/wp\/v2\/tags?post=4366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}